On My Bookshelf – Joe Sullivan – Director of The Cartoon Museum

Who are you? 

My name is Joe Sullivan, I’m the Director of The Cartoon Museum. I recently celebrated my first year in the job having come into post in January 2020. Of course, due to the pandemic I have only spent about four months on site and actually working during that year! I have been a fan of cartoons and particularly comics for many years, having been an avid reader of the Beano and Dandy as a kid. These days my favourite regular strip is probably David Squire’s wonderful sideways looks at the world of football each week in The Guardian.

Outside of the museum I am involved in the heritage sector as the Chair of the London Museums Group. As a passionate Londoner and museum-goer I want to help build skills for staff at the capital’s many wonderful spaces, to enable museums to work with wider and more diverse audiences. I also find time to play the guitar most days, and hang out with my brand new baby daughter!

What is on your bookshelf?

I want to highlight two picks:

1. ‘Motivational Quotes To Help You Be More Positive’ by Chris (Simpsons Artist), which came out in 2015. I love Chris’ weird and surreal ideas and art style – the idea of the baby Jesus being massive, or a depressed anthropomorphic Thomas the Tank Engine wishing he wasn’t born as a train really tickles me in a way that utterly baffles my wife.

2. ‘Back, Sack & Crack (& Brain)’ by Robert Wells. This book gives a wince-inducing look at Robert’s history with a mystery illness that never seemed to get better. The honesty and creativity that sparkles from the pages is great to read, if a little squirm-inducing. Men don’t talk all that much about ailments and weaknesses, and this was an ‘I see you’ moment for me.

Was it a purchase or a present?

My wife bought the Chris (Simpsons Artist) book for me to commemorate starting my job at The Cartoon Museum in January 2020, and it sits on the book pile on my desk making me laugh regularly. I bought ‘Back, Sack & Crack (& Brain)’ during the first UK lockdown, as Robert drew my favourite cartoon featured in the Museum’s #Draw The Coronavirus e-book (Chris Whitty asking ‘Do You Like Eggs?’) and I wanted to check out some of his previous work.

Tell us about your first visit to the Cartoon Museum? 

My first visit was at the new Wells Street site in November 2019, after applying for the Director job at the museum. Despite the rough edges (unpainted floor, loudly trickling pipe) I was really taken with the charm of the place, and the wonderful range of cartoons and comics on display. The Comic Creators exhibition was on when I first visited, and I particularly liked seeing Beano’s and Dandy’s in their draft phases, where pencils and stuck-speech bubbles were still evident. I thought there was huge potential in the site and collection, and was excited to join the museum as it moved forwards in the new site.

Comic Creators exhibition 2019 – 2020

Tell us about a favourite cartoon or exhibition from the Cartoon Museum? 

I’m very proud of the Dear Mr. Poole exhibition, and particularly proud of Emma (Stirling-Middleton – museum curator) and the team for pulling it together in the short time that they had. When I started at the museum, the Trustees wanted a new temporary exhibition in, as Comic Creators had been up for six months. Emma stumbled across a box of letters written to Philip Poole, who supplied pen nibs and art materials to pretty much every famous cartoonist. She pitched an exhibition that displayed these never-before-exhibited letters as a ‘love letter’ to the man behind the artists, the olde-worldy London shop, and the materials that enabled a cartoonist to ply their trade. In just three weeks from sign off to opening date, and on a budget of £3000, the team designed a vibrant, unique and warm exhibition that demonstrated everything about where the museum hopes to go in the future.

Dear Mr. Poole exhibition
Dear Mr. Poole exhibition

Dudley Watkins and Oor Wullie: A Brief Snapshot

Dudley Dexter Watkins was born on 27 February 1907 in Manchester, and raised in Nottingham as the eldest of three children. His father was a lithographic artist and encouraged the artistic talent of his son, who by the age of 11 had 4 paintings on display in an exhibition in Nottingham Castle. In 1919 Watkins attended evening classes at Nottingham School of Art. He later worked for Boots the Chemist, where one of his tasks was window-dressing.

Dudley blue big
Dudley Watkins.

By 1924 Watkins was on a full-time arts scholarship at the School of Art.   He was spotted by a talent scout from D.C. Thomson, who offered him a job as staff artist.  Watkins took up the post in 1925 when he moved to Dundee, where D.C. Thomson was based. The first strip which can be identified as done by Watkins was PC99, which appeared in the Rover Midget Comic in February 1933. Other strips he produced included Percy Vere and His Trying Tricks and Wandering Willie, the Wily Explorer. Among his most famous strips were The Broons and Oor Wullie, which features in the Daily Funnies exhibtion at the Cartoon Museum (running until December 2017). Continue reading “Dudley Watkins and Oor Wullie: A Brief Snapshot”

The Volunteers’ Corner Presents: Stefan Alexander

In this new blog series, the Cartoon Museum would like to offer a space for our active volunteers to share a bit about themselves. Our volunteers help us run the museum on a day to day basis. They make sure that we present our best side to the public. They are friendly, knowledgable, and artistic and they are always ready to help our visitors navigate the museum. So let’s get to know them a little bit better, shall we? For our first installment we shall meet Stefan Alexander, comic artist and illustrator.

Continue reading “The Volunteers’ Corner Presents: Stefan Alexander”

The Daily Funnies: An Exhibition of Strip Cartoon

Daily Funnies or the Art of the Strip Cartoon is the title of the current exhibition at the Cartoon Museum. Cartoon strips occupy a special place in the world of cartoon and comic art. Appearing as they do every day or every week in newspapers and magazines, they reach a public who might not consider themselves cartoon fans. Readers become so attached to their favourite strip that when it ends they feel as though they have lost and old friend. Some strips outlive their creators: Fred Basset, Dick Tracy and Oor Wullie are just a few examples. Others, such as Peanuts, are so closely bound to their original artists that no one else can replace them. There is a rhythm or pulse to the art of the comic strip, like a limerick or a haiku or a joke well told. To be able to tell a small story or raise a smile in the space of a few panels is a skill few people master. Continue reading “The Daily Funnies: An Exhibition of Strip Cartoon”

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